Animation
New Media & Communication Technology
animation: an interdisciplinary journal provides the first cohesive international peer-reviewed publishing platform for animation that unites contributions from a wide range of research agendas and creative practice.
The journal's scope is very comprehensive, yet its focus is clear and simple. The journal addresses all animation made using all known (and yet to be developed) techniques - from 16th century optical devices to contemporary digital media - revealing its implications on other forms of time-based media expression past, present and future.
animation: an interdisciplinary journal is essential and stimulating reading for academics, researchers, students, curators and practitioners in animation, film and media studies, cultural studies, critical theory, architecture, art & design, computer sciences, games studies and visual culture.
"animation: an interdisciplinary journal promises not only an interdisciplinary and international scope, but also - and most significant at this historical moment - to re-mediate and inter-mediate a range of moving image platforms and to re-think the premises that have thus far found it proper to separate the 'mashed potatoes' of film theory from the 'peas' of animation theory and the 'carrots' of digital media theory. Indeed, animation: an interdisciplinary journal promises to provide us an exceedingly full and intellectually satisfying plate." Vivian Sobchack, Professor of Film, Television and Digital Media, University of California, Los Angeles, USA
Electronic Access
Animation is available electronically on SAGE Journals at http://journals.sagepub.com/home/anm.
Animation is increasingly pervasive and implemented in many ways in many disciplines. animation: an interdisciplinary journal provides the first cohesive, international peer-reviewed publishing platform for animation that unites contributions from a wide range of research agendas and creative practice.
The journal's scope is very comprehensive, yet its focus is clear and simple. The journal addresses all animation made using all known (and yet to be developed) techniques - from 16th century optical devices to contemporary digital media - revealing its implications on other forms of time-based media expression past, present and future. Special features include new theories and methodologies, radical contemporary practice, microanalyses of individual films, archive news, teaching, learning and research resources and industrial innovations foregrounding specific disciplines and their interrelations with others.
animation: an interdisciplinary journal is a dynamic forum for promoting exchange between a multitude of disciplines and will facilitate a much-needed academic dialogue for the interdisciplinary nature of animation studies. It is essential and stimulating reading for academics, researchers, students, curators and practitioners in animation, film and media studies, cultural studies, critical theory, architecture, art & design, computer sciences, games studies and visual culture. The journal encourages both established and emerging scholars.
| Suzanne Buchan | Royal College of Art, UK |
| Christopher Holliday | Kings College London, UK |
| Caroline Ruddell | Brunel University, UK |
| Colin Williamson | University of Oregon, USA |
| Joon Yang Kim | Niigata University, Japan |
| Aimee Mollaghan | Queen's University Belfast, UK |
| Patrick Sullivan | Texas A&M University, USA |
| Jason Barker | Kyung Hee University, Republic of Korea |
| Scott Bukatman | Stanford University, USA |
| Edwin Carels | KASK, Royal Academy of Fine Arts, Hogeschool Gent, Gent, Belgium |
| Noël Carroll | Temple University, USA |
| Alan Cholodenko | University of Sydney, Australia |
| Malcolm Cook | University of Southampton, UK |
| Donald Crafton | DeBartolo Center for the Performing Arts, USA |
| Sean Cubitt | University of Melbourne, Australia |
| Andrew Darley | Independent Scholar, UK |
| Amy Davis | University of Hull, UK |
| Rayna Denison | University of East Anglia, UK |
| Barnaby Dicker | King’s College London, UK |
| Thomas P Elsaesser | in memoriam |
| Erwin Feyersinger | University of Tübingen, Germany |
| Philippe Gauthier | Université de Montréal, Canada |
| Seth Giddings | University of Southampton, UK |
| Marcin Gizycki | Bielsko College of Business and Computer Science, Poland |
| Jean Paul Goergen | Society for Animation Studies, Germany |
| Tom Gunning | University of Chicago, USA |
| Max Hattler | City University of Hong Kong, Hong Kong |
| Vinzenz Hediger | Goethe University, Frankfurt, Germany |
| Eric Herhuth | Tulane University, USA |
| Alastair Herron | University of Ulster, Northern Ireland, UK |
| Annabelle Honess Roe | University of Surrey, UK |
| Fatemeh Hosseini-Shakib | Tehran Art University, Iran |
| Gigi Hu Tze-Yue | University of Oklahoma, USA |
| Lilly Husbands | Middlesex University, London UK |
| Norman Klein | Art Center College of Design, USA |
| Jan Korvink | Karlsruhe Institute of Technology, Germany |
| Esther Leslie | Birkbeck College, UK |
| Lev Manovich | University of California, USA |
| Mihaela Mihailova | University of Michigan, USA |
| Sekhar Mukherjee | National Institute of Design, India |
| Chris Pallant | Canterbury Christ Church University, UK |
| Jayne Pilling | Independent Scholar, UK |
| Bob Rehak | Swarthmore College, USA |
| Jeffrey Skoller | University of California, Berkeley, USA |
| Vicky Smith | University for the Creative Arts,UK |
| Vivian Sobchack | University of California Los Angeles, USA |
| Marc Steinberg | Concordia University, Canada |
| Paul Taberham | Arts University Bournemouth, UK |
| Margrit Tröhler | University of Zurich, Switzerland |
| Stanislav Ulver | Film and TV School of the Academy of Performing Arts, Czech Republic |
| Paul Ward | Arts University College at Bournemouth, UK |
| Karin Wehn | University of Leipzig, Germany |
| Paul Wells | Loughborough University, UK |
| Aylish Wood | University of Kent, UK |
| Sigfried Zielinski | Berlin University of the Arts, Germany |
Manuscript submission guidelines can be accessed on Sage Journals.